The ones who walk away from Omelas

This short story was, in 1974, the recipient of the Hugo and nominated for the Locus. I was intrigued by the title by a long time, but it was only after watching the documentary about Ursula K. Le Guin’s life and work that I learned that The dispossessed was how Ursula reacted to this question: where do the people who walk away from Omelas go? I was bound to read it.

It took me half an hour to finish it. I haven’t read yet any of the Earthsea stories but there is no magic or dragons in Omelas, so I’d guess this is more of a Hainish taste. Being already familiar with the plot, it lacked a climactic moment and the story didn’t spark any more thoughts than I had already given to the topic when I first learned about it. It’s probably wise to avoid related material about short-stories you want to read if you don’t want them to be spoiled, but the advice is particularly true for this one. I wish I hadn’t read anything about it.

I still liked how it’s built on simple language and a raw metaphor anyone can relate to. Reading it helped me to consolidate this idea of Ursula being not a novelist but an anthropologist who happens to be interested in fictional societies. Writing stories about non-existing societies was her way of researching a topic, live with the locals, and explaining to us what it was like living in that world.

The anthology I bought includes an intro commentary by the author about how she came up with the Omelas word which was also fun and humanizes the way I picture writers work.

The Worlds of Ursula K. Le Guin

To learn to make something well can take your whole life. And it’s worth it.

— Ursula K. Le Guin

The documentary that explores the life and work of Ursula K. Le Guin is now being screened in several festivals and events. Check out the dates and join one if you can. As a backer of the project, I had early access to the film. It’s only a few months since UKL has left us, so it came to me with a feeling of farewell and closure.